︎
Bettina
NEW YORK: 1965–86
November 18, 2023–February 1, 2024

Bettina Unboxing Day by Yto Barrada and Guests: January 27, 12-4pm

                                                                                                        
Untitled, 1960s, oil on canvas, 30 x 30 in. (76.2 x 76.2 cm.) Mass Levitation. Concrete Space. Where Space Becomes Matter, Matter Becomes Volume, 1965-75, marble, 4 parts, each: 3 3/4 x 3 3/4 x 3 3/4 in. (9.5 x 9.5 x 9.5 cm.) Mass Levitation. Concrete Space. Where Space Becomes Matter, Matter Becomes Volume, 1965-75, marble, 15 x 4 x 4 in. (38.1 x 10.2 x 10.2 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 9 3/4 x 6 1/4 in. (24.8 x 15.9 cm.) Mass Levitation. Concrete Space. Where Space Becomes Matter, Matter Becomes Volume, from the series The Inside-Outside House, 1965-75, marble, 7 x 12 x 7 in. (17.8 x 30.5 x 17.8 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 9 x 6 in. (22.9 x 15.2 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 9 ¼ x 5 7/8 in. (23.5 x 14.9 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 9 x 6 in. (22.9 x 15.2 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 9 ¼ x 7 ¼ in. (23.5 x 18.4 cm.) Phenomenological New York, 1970s, gelatin silver print (printed by Bettina), 10 x 6 in. (25.4 x 15.2 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 22 x 26 in. (55.9 x 66 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 1/2 x 10 1/2 x 6 in. (26.7 x 26.7 x 15.2 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 x 10 x 10 in. (25.4 x 25.4 x 25.4 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 x 10 x 10 in. (25.4 x 25.4 x 25.4 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 26 x 26 in. (66 x 66 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 7 x 13 x 8 in. (17.8 x 33 x 20.3 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 4 x 10 x 10 in. (10.2 x 25.4 x 25.4 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 x 10 x 10 in. (25.4 x 25.4 x 25.4 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 x 13 x 8 in. (25.4 x 33 x 20.3 cm.) Euclidean to Non-Euclidean Restructures. Options for a Developable Absolute. From the series One Constant. Euclidean to Non-Euclidean Curve, 1972–73, wood, 10 x 10 x 10 in. (25.4 x 25.4 x 25.4 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 30 x 26 in. (76.2 x 66 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 26 x 23 in. (66 x 58.4 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 26 x 23 in. (66 x 58.4 cm.) Phenomenological New York, 1972-86, C-prints (printed and mounted by Bettina), 14 x 5 ½ in. (35.6 x 14 cm.) Phenomenological New York, 1972-86, C-prints (printed and mounted by Bettina), 5 x 13 in. (12.7 x 33 cm.) Phenomenological New York, 1972-86, C-prints (printed and mounted by Bettina), 5 x 13 1/2 in. (12.7 x 34.3 cm.) Phenomenological New York, 1970s, C-prints (printed and mounted by Bettina), 21 x 19 in. (53.3 x 48.3 cm.) Phenomenological New York, 1972-86, C-prints (printed and mounted by Bettina), two parts, each: 13 1/2 x 5 1/2 in. (34.3 x 14 cm.) Phenomenological New York, 1972-86, C-prints (printed and mounted by Bettina), 5 1/4 x 13 1/2 in. (13.3 x 34.3 cm.) Untitled, 1960s, ink on paper, 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm.)